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The Yearbook cover

The Yearbook of the United Nations has served as the Organization’s flagship reference work since its inception, and looking back at the illustrated Yearbook dust jackets provides a unique perspective on more than 60 years of developments in visual design. These covers have regularly reflected the culture of their time, while alluding to the wealth of information on UN activities and concerns contained within each volume.

The earliest Yearbook dust jackets were fairly conservative, often depicting little more than the United Nations logo and the title of the book.

Designs of the late 1950s came to employ a minimalistic illustrative style often seen in art and advertising of that period. The ensuing decade witnessed a transition to neon colours and kaleidoscopic patterns that evoke the psychedelic mood of the day. With the advent of the 1970s, Yearbook dust jackets began to feature geometric shapes, testifying to the influence of Optical Art. This artistic movement, associated with Gestalt Theory, maintains that the whole is greater than the sum of its parts—an appropriate concept for the United Nations at any point in its history. The next ten years brought pixelated imagery to the cover designs, highlighting the growing global influence of computers. There followed in the 1990s the predominance of photographic covers—perhaps a direct result of the commercial release of desktop photo production software.

The 2007 Yearbook ushered in a new look by introducing a purely typographical design, with numerals visually defining the volume as a reference work for that specific year. The 2008 cover augmented this approach through the addition of a ‘word cloud’ incorporating terms indicative of major UN consideration and action. The 2009 design likewise typographically highlights the year in question, but employs a three-dimensional form to suggest a framework itself symbolic of the UN system architecture. 2010 was a milestone year for the United Nations in its work, as the year saw the High-level Plenary Meeting on the Millennium Development Goals and the creation of UN-Women. The 2010 dust jacket design (a winner at the 2015 American In-House Design Awards, Graphic Design USA) incorporates these elements, suggesting, on one hand, the dynamic structure informing the efforts of the Organization towards achieving the Goals and invoking, on the other, the Venus symbol informing the visual identity of the new United Nations entity for gender equality and the empowerment of women. The dust jacket of the 2011 Yearbook attempts to convey something of the turbulence of that year—from the humanitarian crisis generated by civil conflict in Syria to the Fukushima Daiichi nuclear power plant accident in Japan—by employing a darker colour scheme than that used in previous covers, and by using unaligned numerals to imply the uncertainty surrounding the final outcome of those events. There is, however, some light refracted through the numerals—a prism effect evoking the promise of hope that drives the work of the United Nations.

Whether or not all 63 Yearbook cover designs were intentionally styled to reflect the times in which they were produced, they clearly show the influence of contemporary culture over the nearly seven decades of UN history. It remains to be seen how the world's ever-changing visual vocabulary will leave its mark in future Yearbook cover designs.